Posted in Illustration, Picturebooks, Publishing

The KidLit Creators Super Stack Flash Sale

A couple of months ago INFOSTACK invited me to be part of their “KidLit Creators Super Stack” – which is a collection (a stack) of kidlit resources from all round the world.

For one week only this stack of info was made available at a ridiculously affordable price.

My contribution to the stack was my METRE MATTERS COURSE

If you missed out on this amazing deal I’m thrilled to tell you that INFOSTACK are running a flash sale between 22nd April – 27th April 2021.

Here’s what you’ll get in the stack valued at over AUS$2,800.00 (US$2,000)…

I’ve also included links to the websites of the contributors to the stack.

So from April 22nd – April 27th you’ll be able to access absolutely everything you need to know to plan, write, illustrate, publish, and market your own KidLit book like a pro.

If you’d like to be added to my mailing list please complete the form below. Or click here to be taken to the INFOSTACK website.

And happy creating!

Posted in meter, Picturebooks, Poetry, rhyme, rhythm, stress, Writing

METRE (METER) MATTERS – although the spelling doesn’t


Hello again – I’ve not posted anything since June as I’ve not really had anything to say, that is until now.

So since then I’ve put together a writing course to help explain WHY metre matters and HOW metre works when writing in rhyme.

Some of you may have purchased my Rhyme Like the Experts Book and this course is really just an expansion of that along with some added bonuses.

I have been editing adults writing children’s poems and stories in verse for years now and I absolutely love it.

So far I have edited over 300 rhymers and close to 1000 rhymes – that’s amazing!

To read some of their testimonials you can click here.

Over the years I’ve been asked if I run any courses and of course, until now, I hadn’t.

So what do I offer? And what does it cost?

METRE MATTERS is a 30 page PDF that contains everything I’ve learnt over the years and is written in practical and easy to understand language.

It includes examples where I analyse different types of poems written in different metres along with exercises, that once completed, I will give feedback on.

The course guide is really just a jumping off point for discussion and further exploration that will happen when participants dive into the Facebook group that I’ve named The Versealots.

The Versealots is a private group that only course participants will be able to join and along with support I hope also to collect and share publishing opportunities that will encourage lots of submissions and hopefully publications that we will be able to celebrate together.

METRE MATTERS is a self-paced course, there is no beginning and no end. Once you’ve joined in you will be a life member.

Another bonus is that members will enjoy a $10 discount off the hourly rate when utilising my Rhyming Manuscript Editing Service – for life!!

So why do I think I’m qualified to teach you about metre?

Well I guess because it seems to be the only way that I can write. For a quick overview of what I’ve had published you can pop over to my other blog here.

When I first began editing other people’s work I didn’t possess any of the technical language, I’d say things like, this line is a bit lumpy, or, I tripped on this word. To be honest, back in the beginning I didn’t really know exactly what metre was.

As my client base increased I felt that I really should be able to offer better explanations as to why I was making the suggestions that I was and so began my journey of teaching myself the ins and outs of metrical poetry.

Now Einstein once said…..

…..and that’s what I hope I’ve done. Metre is certainly not an exact science and rules must certainly be broken. But before we can break the rules we much first be able to understand them.

But wait there’s more!

Some of you reading this may have received an email from me offering a further discount. This offer applies until the end of August and is for anyone who has used my manuscript editing service in the past including entering my Spring Competitions. If you think you might qualify please in get touch. It’s quite a substantial discount.

Ok that’s about it. Thanks for reading and hopefully I’ll see some of you soon.

Take care and happy rhyming.

Oh and just as a ps – here’s what some Australian publishers had to say when I asked them this question…

What are the most common difficulties that writers in rhyme encounter?

  • They haven’t got a sense of timing – rhythm or flow.
  • From a publishing point of view rhyming books do present challenges at the editing stage.
  • Metre metre metre! So few submissions have pleasing, easy metre. Read your poem aloud. Do you have to work hard to fit your words into your metre? Do you adjust the stress on ANY of the words (i.e. do you say them differently to the way you say them in natural speech)? Rewrite those lines!! I cannot emphasise enough how important metre is to poetry.
  • They think the rhyme excuses a whole lot of other flaws, including poor rhymes. Rhyming is a subtle and complex art that deserves years of study and then you have to make it work for children and then in a picture book format. You need a great story first and one that works for children, which has a proper beginning, middle and end.
  • Bad rhythm and forced rhyme. There should be no extra words to get the rhythm to work ‘such as the lion did say” instead of ‘said’ or reversals of words to get the rhyme, ie  ‘lion blue’ to rhyme with ‘you’ instead of blue lion. In other words the rhyme has to be very natural. The other thing to bear in mind is that many people don’t have a natural sense of rhythm anyway, and read rhyme and the emphasis on the words differently. The rhyme has to be very consistent to avoid such differences. The other thing I find is that the necessity to rhyme often means that the story goes in different directions when inexperienced writers attempt to write rhyme, so there can be dead spots ion the story or extraneous material (if that makes sense). It is very difficult to get good succinct rhyme which keeps to the storyline. Rhyme that works better is when writers are not trying to write rhyming couplets, but stick to a simple repetitive couplet such as ‘I went walking. What did you see. I saw a red cow looking at me.’ Or ‘Let’s go visiting what do you say. Two black kittens are ready to play.’
  • Rhythms and rhymes that are “not quite there”.

or to pay via direct debit email me and I’ll send you my bank details.

Posted in meter, Picturebooks, rhyme, rhythm, stress, Writing

50% off first hour’s edit

To warm up your Winter Writing – Jackie’s Rhyming Manuscript Editing Service is offering 50% off your first hour’s edit for the entire month of JUNE.

Normally $45, for JUNE only you can get your first hour for only $22.50 – you’ll also receive a FREE copy of her Rhyme Like the Experts book.

So if you have a rhyming children’s story or poem that just won’t behave itself why not take advantage of this special offer?

Posted in Picturebooks, Publishing, Writing

Meet the writer – Spider Lee

Every week I like to feature an Australian writer and illustrator in PASS IT ON.

Now with the illustrators, once they have been featured in the ezine, I upload their interview onto a blog. This takes time and I’m often running behind but from now on I’m hoping to keep this up to date.

The writers that I’ve interviewed don’t have a blog of their own so I thought I might upload their interviews here. I won’t be able to go back to the beginning but I hope to fill this space with interesting insights into some of our wonderful writers.

So here we go please meet….


Spider Lee

This interview first appeared in PASS IN ON on Monday 25th January 2016 – issue 570

When did you know that you were a writer?

Most creative people have been creative their whole lives, it’s something that grows inside you so it is hard to define a starting point. I did not come from a bookish environment and really only opened my eyes to reading when I became a parent myself. When I decided to become a writer, I googled myself and found that I already was a successful writer, or at least someone with the same name as me was. So my first task was deciding on a new name. Spider has been my nick name from a very young age, it’s easy to remember and works well with the primary age readers.

When did you first read your writing aloud or give it to someone to read and what was their reaction? How did it impact on you?

Putting yourself ‘out there’ for others to judge & actively calling yourself ‘a writer’ takes a great deal of courage. I have learned that adults will be polite and encouraging regardless of what they really think but children are gut wrenchingly honest, both with their body language and their comments. When I first read Wobbly Boots to a classroom of children, I learned more in 10 minutes than a week of writing workshops … brutal and inspiring all at once!

What and when was your first acceptance? How did you feel?

In retrospect, the publication of my first two picture books, Wobbly Boots and The Hair Ball were bitter sweet. The years of rejection letters and the resulting self-doubt most emerging authors experience can make you vulnerable when it comes to signing your first contract. It’s not always easy to judge the integrity of others in the publishing industry or understand the dynamics of the whole process but I guess like most experiences in life, once bitten twice shy … it’s part of the journey.

What is your favourite genre to write? Why?

I absolutely love writing middle grade fiction, particularly contemporary humour which will engage primary aged boys in the delights of getting lost in the adventure of a book. As a teacher I see so many boys disengaged from reading, you know the ones who just think that if they are holding a book you will be fooled into thinking they are reading! There is nothing more rewarding as a teacher than guiding those children to find books and authors that they grow to love.

How long have you been writing? And what have you written?

I have been writing for about 8 years and have published poetry and two picture books so far, Wobbly Boots & The Hair Ball, but I am finding an easy connection to middle grade fiction, possibly because I am one of 12 children and as a teacher I am surrounded by this age group every day.

Of your own work – do you have a favourite? Why is it your favourite?

Wobbly Boots is dear to me because it deals with a young child’s emotional journey when the adults they love make poor choices. The concept was born out of witnessing the pain young children find themselves in and if this publication helps even one child make sense of their world and come to a place of healing and forgiveness then it was all worth it.

What is your favourite genre to read? Why?

I would choose a middle grade novel over adult fiction any day. I enjoy the odd well written autobiography but when it comes to fiction, the mindset of a child is so much more fertile and receptive to unpredictable or unconventional plot lines. Maybe I’m just immature!

Do you have a favourite author?

Authors – Tim Winton for his beautifully complex characters, Shaun Tan for his ability to present such a fresh perspective, Julia Donaldson for her delightful rhyme and metre and Andy Griffiths for his wicked humour.

Did/do you have any writing heroes or mentors?

There are few ‘real’ modern day heroes these days but Andy Griffiths is definitely one. He is humble in his success and generous with his advice for fellow writers. An inspiration to so many children, Andy is living proof that a super-man needs neither height, muscles, fake tan or perfect hair to succeed in life and make the world a better place.

How do they encourage you?

By being willing to be accessible to fans and writers regardless of age or where you are on your writing journey.

Do you write full time?

I wish! I don’t believe the industry as a whole supports the concept of a full time writer, it’s just a romantic notion … a myth. Most writers have an alternate paid job, be it inside or outside the industry, for financial support or at the very least, a wage earning spouse.

What are your other jobs?

I teach primary aged children which enables me to be immersed on a daily basis in the language, emotions and interactions of children who are the same age as my characters. It provides me with a rich pool of ideas, a sounding board for plot lines and gives me instant feedback chapter by chapter.

Have you ever won an award/s or been shortlisted? What was it for?

The Hair Ball was shortlisted for the Speech Pathology Australia Book of the Year Awards in 2014 and I have several manuscripts which placed very well in the CYA Conference Competition in the last couple of years.

Do you belong to any professional organisations? What are they and how do they help you?

The ASA & SCBWI provide me with what I see as a safety net of professional advice and a broad range of opportunities to develop my craft.

Do you participate in writing workshops as a student? Which ones were memorable?

Workshops run by Sally Rippin, Karen Tayleur and Alison Lester were all memorable for the honest way they shared their writing journey as all of them have worked hard for the success they have achieved.

How might you be contacted in relation to running workshops or for school visits?

We all know that would be writers should read and write as much as possible – do you have any other advice?

I keep a reading journal and write down all my thoughts about a book as soon as I finish reading it. Publishing details, what worked and what didn’t, if I related to the characters and felt emotionally invested in the storyline. I reflected back though this when I am editing manuscripts to help me compare the calibre of my work to texts which publishers obviously felt were marketable.

How might people find you? Website, Blog, Facebook etc.

Posted in PASS IT ON, Picturebooks, Writing

Meet the Writer – Karen Hendriks

Every week I like to feature an Australian writer and illustrator in PASS IT ON.

Now with the illustrators, once they have been featured in the ezine, I upload their interview onto a blog. This takes time and I’m often running behind but from now on I’m hoping to keep this up to date.

The writers that I’ve interviewed don’t have a blog of their own so I thought I might upload their interviews here. I won’t be able to go back to the beginning but I hope to fill this space with interesting insights into some of our wonderful writers.

So here we go please meet….

Karen Hendriks

This interview first appeared in PASS IN ON on Monday 18th January 2016 – issue 569


When did you know that you were a writer?

This year when I decided to follow my dream and write.  I have always wanted to write but you are not a writer until you commit.

When did you first read your writing aloud or give it to someone to read and what was their reaction? How did it impact on you?

I have been reading my stories each week to children  from Kindergarten to Year six at school which has been extremely rewarding and I have even received author letters from them and some are now wanting to be writer’s themselves.   The snowball effect.

What and when was your first acceptance? How did you feel?

None yet just writing getting ready for my first submissions. Yeeks.

What is your favourite genre to write? Why?

Children’s picture books yay

How long have you been writing? And what have you written?

This year .  Some of my stories are called Wombat Cuddles, Happy, A very Clever Plan, Scaredy Pants or It is Only the Night, Clever Sneaky, Mr Brown, my favs are Wombat Cuddles  and It is only the Night.

Of your own work – do you have a favourite? Why is it your favourite?

Wombat Cuddles and It is only the Night and the students at school love them and want them as books. They have drawn pictures and written me letters as and author and also about the characters.

What is your favourite genre to read? Why?

Children’s Picture books and self help books

Do you have a favourite author?

Mem Fox, Lynley Dodd, Libby Gleeson, Joy Cowley

Did/do you have any writing heroes or mentors?

No not yet but Mem Fox is my hero and Joy Cowley sent me her book writing for children such a creative, gorgeous lady.

How do they encourage you?

I met Mem and she was amazing and Joy wrote to me.

Do you mentor others? What do you do?

Yes last term I have been teaching Creative Writing to Stage two and Three Students.  I had no idea that my actions would ripple through the school it has really shown me that I am a writer.

Do you write full time?


What are your other jobs?

Casual teacher

Have you ever won an award/s or been shortlisted? What was it for?

Have you ever been awarded a grant? How did it help you?


Do you belong to any professional organisations? What are they and how do they help you?

Do you participate in writing workshops as a student? Which ones were memorable?

Yes I have been to Cathy Tasker’s writing picture books course and one other course in Beecroft.

Do you run writing workshops? What do you include? 

For the school students we have been looking at techniques in picture books and doing fun little activities based on this.

How might you be contacted in relation to running workshops or for school visits?

Via email, mobile or Facebook.  I would love to do this immensely . I was going to visit local schools to gauge their responses to my stories.

We all know that would be writers should read and write as much as possible – do you have any other advice?

Yes writing and reading go hand in hand together.  I am Reading Recovery Trained, L3trained, learning difficult and ESL trained, behavioural difficulty trained and no matter what Reading and writing go together. Reading seems to takeoff first. A world of possibilities is opened through both.

How might people find you? Website, Blog, Facebook etc.

Email, Karen Hendriks Facebook

Posted in Picturebooks

Ella saw the tree – Blog Tour


Today I’d like to welcome Robert Vescio to my blog to help celebrate the release of his fifth picture book titled ‘Ella Saw The Tree’.

So Robert – what is your book about?

Ella saw the Tree is an entertaining story about living in the moment. 

One windy day, as Ella plays in her backyard, she is showered by leaves. When she looks up, Ella sees a tree in her backyard … has it always been there? And why is it crying?

It’s not until Ella carefully and attentively takes the time to – smell, listen, feel and look – that she discovers the tree in her backyard, as if for the very first time. By slowing down and experiencing new sensations, Ella learns to appreciate the simple things in life.

Ella Saw the Tree is a beautifully illustrated and captivating story that show’s children how easy it is to appreciate the world.Ella Saw the Tree_Cover

And what inspired you to write it?

My children are easily distracted with television and video games that it can be difficult for them to focus. We often tell our children to ‘pay attention’ but we don’t often teach children HOW to pay attention. So I wanted to write a story that does that in a fun way.

Also, parents have told me that they’ve seen their children read a book and realise they have no idea what they’ve just read. They’re there in person, but their mind is elsewhere.

Mindful awareness can teach children how to live in the moment and become more aware. By taking in information from all their senses, children are able to explore as they learn about their world.

I’m hoping this story will help bring mental health, wellbeing, better concentration and reduce anxiety.

Mindfulness can increase happiness in a child’s life.

What are the benefits of mindfulness?

Mindfulness is being fully present in the moment; an awareness of our moment-to-moment experiences in our everyday lives.

Mindful awareness can teach children how to live in the moment and become more aware. By taking in information from all their senses, children are able to explore as they learn about their world.

Mindfulness is about training yourself to pay attention in a specific way. When a person is mindful, they are focused on the present moment, not worrying about anything that went on in the past or that might be coming up in future, purposefully concentrating on what’s happening around them and to them and not being judgemental about anything they notice.

We spend so much time thinking over stuff that happens, or worrying about things that may be happening in future, that often we actually forget to appreciate or enjoy the moment. Mindfulness is a way of bringing us back to experience life as it happens.

When you’re mindful it gives you a clear head, slows down your thoughts, gives your body time to heal, lets you relax, helps you cope with stress and helps you be more aware of yourself, your body and the environment.

What do you hope people will take away from reading this story?

Ella Saw The Tree is an entertaining story about living in the moment. By using the senses to smell, listen, and feel, the simple act of seeing something like a tree can be surprising and fun.

Teachers and parents alike can use this story as a starting point for discussing the concept of engaging all senses and being mindful of the little things in life.

For children, reading this book will open new perspectives on the world and being present in the moment.

Ella’s teacher in the story is a tree. Ella learns to appreciate her surroundings by using her senses.

I’m hoping this book will help children to calm themselves down, resist focusing on negative emotions, be more aware and improve their capacity to pay attention to being in the moment.

The more present and mindful you are, the happier and resilient you will be.

This is a great book to be shared with children of all ages.

What has been your journey up to this point?

My picture books include,Jack and Mia (Wombat Books) listed on the NSW Premier’s Reading Challenge, Barnaby and the Lost Treasure of Bunnyville(Big Sky Publishing), Marlo Can Fly (Wombat Books) listed on the NSW Premier’s Reading Challenge, No Matter Who We’re With (IP Kidz) and I have more picture books due for release soon.

Many of my short stories have been published in anthologies such as Packed Lunch, Short and Twisted, Charms Vol 1, The Toy Chest and The School Magazine NSW.

I’ve won awards for my children’s writing including First Place in the 2012 Marshall Allan Hill Children’s Writing Competition and Highly Commended in the 2011 Marshall Allan Hill Children’s Writing Competition.

I am a Books in Homes Role Model and I enjoy visiting schools.

What is the most important thing about what you do?

For me the most rewarding part about being a picture book author is sharing my stories with children. Not only do I create fans for my books, but it’s great to see how I can make a difference in a child’s life.

I enjoy visiting schools because it connects kids to books and gives them an appreciation of the process involved in creating the books they love. It’s a much more powerful way than simply reading them.

Do you think picture books are important?

Most definitely. I love picture books because of the way they express emotions and ideas in simple ways. Picture books invite engagement – a connection. That’s why I enjoy writing picture books because it supports an adult-child conversation. The pictures help to initiate a discussion with young children and express their feelings. 

What is next for you?

My next picture book Eric Finds A Way (Wombat Books) and illustrated by Ann-Marie Finn will be released in July this year. It’s a wonderful story about believing in the ability to think creatively.

I also have another two picture books due out later in the year: Finn and Puss with EK Books, and stunning illustrations, by newcomer illustrator, Melissa Mackie and Bigger Than Yesterday, Smaller Than Tomorrow with Little Pink Dog Books and the very talented illustrator Kathy Creamer.

You can find out more information about Robert and his books on his website and Facebook page:

Thank you for having me on your blog, Jackie. It’s been wonderful sharing Ella’s story with you and your readers.

Thank you Robert and I wish you all the best with your lovely new picture book.

To continue with this blog tour please follow the links below…

Just Write For Kids:

Kids Book Review Giveaway:

Kids Book Review:

Emma Middleton:

Ella Saw the Tree_Flyer_1

Posted in Picturebooks

Jumpy Kangaroo Book Launch Blog Tour – A Very Jumpy Tour!

05_Running To Plane


Welcome everyone to Tania McCartney’s Very Jumpy Tour celebrating the release of her new book Riley and the Jumpy Kangaroo – A Journey around Canberra.


I’m going to kick off with a review of Tania’s book (complete with book giveaway) and then dive into a very telling interview.

Tania has got to be one of the busiest people I know!





Book ReviewRiley the Jumpy Kangaroo cover MEDIUM

Riley and the Jumpy Kangaroo – A Journey around Canberra.

by Tania McCartney illustrated by Kieron Pratt

published by Ford Street Publishing

ISBN: 978-1-925000-03-0 (pbk)


What I love above Tania’s McCartney’s Riley books are the pictures tell a thousand words aspect. Gorgeous black and white photographs, each with a limited splash of colour, draw the reader in.

The cartoon characters superimposed over photos of the nation’s capital spice up each page not only with their colour but also with their cheeky expressions. The Kangeroo is particularly appealing reminding me, expression-wise, of Scooby Do!

IMGLiving in Anglesea I am very familiar with seeing kangaroos bounding about the streets which is why my favourite page is this one, is that you Tania sporting that gorgeous red bag?

This is Tania’s 5th book in the Riley series. It is a beautiful depiction of Canberra, a book every child will love to pour over. There’s even a hidden gnome to be found.






Book Giveaway…

As a gift to you for taking part in the Jumpy Tour celebration I would like to invite you to comment on this blog post between now and Sunday 4th August for your chance to win a copy of Riley and the Jumpy Kangaroo – A Journey around Canberra.

The competition will run from Wednesday 31 July 2013 to Sunday 4 August 2013, 9pm AEST, and the competition is open to residents of Australia, over the age of 18 (mum and dad can enter on behalf of kids). The judges’ decision is final and no correspondence will be entered into.


Author Interview…


So Tania, Jumpy Kangaroo is the fifth book in your Riley the Little Aviator series. Why Canberra?


It’s Canberra’s birthday! I thought launching Jumpy Roo in the capital’s Centenary year would be a hoot. I also live in Canberra, and I think this town has some of the best sites and sights in Australia. It was so much fun to think up inventive ways for this jumpy kangaroo to pay visit to some of the very best.


Roo certainly gets around the capital – both old and new Parliament House, The War Memorial, Lake Burley Griffin, and she’s in and out of the National Library faster than a librarian’s stamp. Do librarians still have stamps?


I had a quiet laugh when I wrote this line and knew my publisher would come back and flag it (he did) but we decided to leave it in.


I think it’s so lovely for kids to learn about the ways of our past. I’ll never forget bringing home some carbon paper once—my kids went nuts for it. They couldn’t believe we used to use this! So I love writing text that makes our kids go ‘Huh? What’s a librarian’s stamp?’


And to be honest, ‘in and out faster than an electronic scanner’ just didn’t have the same ring to it.


Each new Riley book brings along with it the character from the previous book—in this recent case, it’s Grumpy Wombat from book four. With six intrepid animals now trailing Riley on his adventures, how do you envisage keeping track of this growing pack?


This has been a challenge from—oh, about book three. Kieron has come up with some inventive ways of stuffing the animals in bags and other vessels (like a kangaroo pouch!). Sometimes we only show a few animals at a time on each page.


Kieron and I have discussed ways to house the animals as the books continue. We’re tossing up a hot air balloon or some other vessel that can be attached to the back of the little red plane. Watch this space.


You’re launching at Floriade this year—and I believe there is going to be a very special treasure hunt?


Yes! A Rotary group runs Gnome Knoll—a popular spot in Floriade where kids (and big kids) can paint garden gnomes for a charity donation (all proceeds to Rotary Australia). The group have painted one of the gnomes in the image of Riley, and kids are going to hunt for him after the book launch. I think it’s going to be quite hilarious.


You’ve been a busy bee, with four new books launching between now and October. What are you working on now?


I’ve been wanting to write junior fiction for ages; have dabbled in it before, but rarely had the time to get my teeth into it. At the start of the year, I promised myself I’d carve out some time to do this—and I did.


Consciously carving out that time really works. I ended up writing two books (much to my surprise!) and I’m very excited about the second one, in particular—Ella McZoo: Animal Whisperer. Hopefully I can come back to Pass It On and talk about it when it’s published! (The subbing begins…)


Will Riley the Little Aviator feature in a junior fiction incarnation?


Not sure. My darling daughter, Ella, has been waiting years for her own book series, so this is the one I’ll be focusing on for a while now. Riley(my son) has been very spoiled.


My great love is picture books, so I can’t see myself straying from the genre for too long.


What’s next for you?


I’m currently expanding Kids’ Book Review ( with a new team and an exciting new initiative called The Literary Hub, so I’ll be spending quite a bit of time on that.


I have three picture books currently in production and have been penning some new work, concentrating on some really unusual book forms. This is something I have a real obsession with.


But my biggest focus right now is Book Week Month (17 – 23 August), so I won’t find time to pause until December, when I planned to take some forced time off (note the stress on forced). Book Week is always a huge time and takes a lot of prepping, so I’ll be writing workshops and presentations until I’m purple.


Lucky I love it so much, but I must admit I have my eye on December!

Book LaunchRiley the Jumpy Kangaroo cover MEDIUM


The Jumpy Roo book launch is being held at Floriade this year! Anyone living in or visiting Canberra on 15 September is invited along, but RSVPs are essential if you want a goodie bag and balloon! You can find out more here.


You can also visit the Riley the Little Aviator website ( to see updates, learn more about the places Riley visits, and see behind-the-scenes work. There’s also some Fun Activities for kids.


Learn more about Tania’s books at her website –


Blog Tour Schedule


Bound along with Roo on a Very Jumpy Tour! Monday 29 July to Thursday 1 August at the following destinations:



Full Blog Tour Schedule

Tania McCartney’s Blog



Book Giveaway

Kids Book Review


Interview and Review

Boomerang Books Blog






Children’s Books Daily




Instagram Book Giveaway

Posie Shoots


Review and Five Picture Book Writing Tips






Book Giveaway





Book Review

My Little Bookcase


Guest Post – Behind the Scenes

Sheryl Gwyther’s Blog


Review and Author Interview

Pass It On


Author Interview

Elaine Ouston Blog







Author Interview and Review

Bug in a Book


Author Interview

Soup Blog


Sneak Peek

Tania McCartney’s Blog


Posted in Illustration, Picturebooks

Sharon McGuinness’ Blog Tour continues with a FREE book giveaway…

Today I would like to welcome Sharon McGuinness and Shannon Melville to my blog with their new book Coming Home which has been released to coincide with Mental Health Week.

Mental Health Week is all about raising awareness of mental health and wellbeing in the wider community.  A critical part of reducing stigma to support those with a mental illness (and their carers); is public awareness and an understanding that mental illness, like mental health, is part of the human condition.

Sharon tells a very personal story about how she came to write this book. Thank you Sharon for sharing your story behind the story.

My family knows depression intimately – for my late husband Greg and I, his black dog was an unwelcome participant in our marriage and family life, often lurking in the background, nipping at his heels on a regular basis. Early on, it was manageable, but in 2006 something changed – the black dog gained a firmer grip and in 2008 Greg began a regular pattern of hospitalisation. We would visit on weekends, but I would often visit by myself, travelling to Sydney and back to Thirroul on the train.

It was after a particularly good visit that the seeds for my book ‘Coming Home’ were sown. Greg had been upbeat, was looking ahead, making plans and I left him smiling. Travelling home on the train, the idea for the story started forming and I remember rummaging in my bag for my notebook. It wasn’t there, but I pulled out an envelope and began to weave our own experience into a new narrative. I never set out to intentionally write a children’s book about depression.

The story instead, found me.

Over the next few weeks I completed a rough first draft, using Greg’s garden as a metaphor for his mood, his roses as a symbol of hope.

The story revolves around Gemma, a young girl who is struggling to understand why her dad seems sad day after day. He sits alone in his unweeded garden – the metaphor for his mood and he seems to disappear from daily life – sinking into ‘another place’. Gemma wonders whether it is somehow her fault, did she do something wrong? Her mother is reassuring and explains that Dad is suffering from an illness called depression, which ‘you can’t see like a broken leg, but it’s there just the same’.  Gemma continues to involve Dad in her life and then one day, he begins to feel a change – his mood begins to lift.

The ending was how I wanted our own story to finish.

My online writing buddy, Jodie gave me advice, Sandy Fussell helped me finesse it some more and entering it in a competition gave me valuable feedback and the encouragement to continue.

During this time however, Greg’s illness worsened until in February 2010, he took his own life, unable to stand the torment of his illness. Our real story was not to share the same ending as the book after all.

It now seemed more important than ever for the book to have an audience. Depression affects one in five families – maybe the book could help explain depression to children and raise awareness, so I began submitting the ms to publishers.

Rochelle Manners of Wombat Books was interested, but admitted that the topic was ‘challenging’ to publish. She urged me to get the ms professionally appraised and I sought the advice of Dr Virginia Lowe who was able to help me with some final tweaking of the manuscript and provided a letter of recommendation. I also met with representatives of the Black Dog Institute, who read the manuscript and agreed to write a letter of support which would accompany the manuscript on its trips to publishers.  I resubmitted it to Wombat Books and Rochelle offered me a contract in February 2010. We agreed to publish in October 2012 to coincide with Mental Health Week.

Ironically I was relieved, thinking that the hard work was over.

How naive I was….the work was only just beginning! The task of selecting the right illustrator for the book would not be easy as I believed the illustrations would be more powerful if they were portrayed realistically.  The work of Shannon Melville – particularly her black and white drawings led Rochelle to the offering of a contract.

Shannon set to work and in October 2011, she had completed the first roughs and in May 2012 the final illustrations were ready, most taking between 10 to 15 hours to complete individually.  Shannon has been able to capture the essence of the text, with contrasting endpapers and the use of both black and  white and colour illustrations, while  the expressions on the father’s face clearly show the pain often experienced by those with depression.

All author royalties will be donated to the Black Dog Institute to help fund further research into depressive illnesses.

The book has become my way to honour Greg’s memory and while I gain satisfaction from its publishing, it will always be bittersweet.


Thank you once again Sharon for sharing your incredibly personal, bittersweet story. You have written a very important book, one that will help many families.


Now before I introduce Shannon I would like to offer readers the chance to receive a copy of Coming Home to help acknowlege Mental Health Week.

What you’ll need to do is tell me (in the comments section) how depression or mental illness has affected you, your family or someone you know.

I will put everyone’s name into a hat and draw one randomly. I will contact you if your name is chosen.



Okay so next I would like to welcome Shannon Melville. Welcome Shannon! Shannon has completed some questions that I’ve put together for illustrators appearing in PASS IT ON’s segment Illustration of the Week. These questions give us an insight into the workings of an illustrator. Thank you Shannon for sharing a little bit of how you work as an illustrator.



Please describe your chosen illustration

~What medium did you use?

Chalk pastel sticks and pencils

~How long did it take?

Approximately 10 hours

~What is it for?

Coming Home (Wombat Books); a picture book written by Sharon McGuinness. Publication date: 1st October 2012.

When did you know you had a talent for illustration?

~How old were you?

I remember the girl sitting next to me in year 1 copied my care bear drawing. It went on the school recipe book cover, so I guess you could say that was my first published illustration!

~How did you know? Did someone encourage you?

Both my parents encouraged me, particularly my dad who I recall creating oil pastel artworks with me on the back of his big old land valuation maps (around A1 size). My parents enrolled me in holiday and after school art classes. My dad was also gifted with art and I enjoyed seeing the work he created at night school in print making, painting, drawing etc. He always had lots of different art supplies for me to try out. My neighbour was a high school art teacher and I often knocked on her door to show her my latest work, she was kind to show interest and give me feedback. I always chose Art as an option in high school. Teachers and peers usually complimented me on my work or held my work up to the class.

Have you ever studied your craft at an institution of any sort?

~Which institution?

Central TAFE (now Central Institute of Technology, Perth)

~How long was the course?

3 years

~How affordable was the course?

More affordable than university for me (although I have also completed university studies). I had a casual job on the side to support my studies.

~Would you recommend it to upcoming artists/illustrators?

It was an Advanced Diploma in Graphic Design (major in illustration). We only got to focus more intensely in illustration in the 3rd year. If you also want to learn Corporate branding, Advertising, Web design, Art Theory, Packaging design etc. then the course may interest you. The illustration lecturers were great though.

~Do you run courses or workshops yourself?

No, although I have taken children’s holiday art classes. Twice a week I work with people with disabilities assisting them to create artwork. I find this work very rewarding also.

What computer programmes do you use?

~Can you recommend any?

Corel Painter, Photoshop, InDesign, Illustrator.

Have you illustrated any books?

~How many books?

Yes 5, currently working on my 6th book about a platypus and after this I have 2 more contracts lined up.

~Do you have a favourite?

Little Good Wolf by Aleesah Darlison and Coming Home by Sharon McGuinness are very well written, they are talented authors, the stories are all so unique it’s hard to choose a favourite.

To be honest I am enjoying working on the illustrations for my current one about a platypus, as I really love animals and nature. Rochelle from Wombat Books is always happy for me to choose which medium I want to use, so for Boondaburra written by Natalie Lonsdale I am using gouache. I am finding it quite therapeutic using a paintbrush and it is tying in nicely with the watercolour course I am currently enrolled in.

~How are you usually commissioned? What is the process?

A publisher will contact me and ask me what I think about a particular manuscript and if I am interested in illustrating it. I then say yes or no (most have been yes so far though). I sometimes am asked to do a couple of character sketches which the publisher and author look at.

If they both think I am on the right track then the contract is sent out for me to read and sign and post back to the publisher.

~Do you have contact with the authors?

All of the authors I have worked with so far live in different states so I haven’t met with them in person regarding their manuscripts. Sometimes the author and I will exchange a few emails, but this is usually through the publisher, to make sure we are all kept in the loop about what is going on.

~On average, how long does a picture book take to illustrate?

It is hard to say as they all vary depending on what styles are required, how detailed and what medium is used. They can take anywhere from 3 months to a couple of years, although all the books I have illustrated have generally been done in less than 6 months. I may have the contract for longer, but depending on my workload and other deadlines I may not be able to get started straight away.

~Is it difficult working to deadlines? Does it interfere with your creativity?

It depends how many jobs I am working on at once. Sometimes it can interfere with creativity if I get too stressed. I find that I have to be in a relaxed mood to work well on my illustrations. I think it usually shows through in the artwork if it has been rushed or if the illustrator enjoyed working on it. Fortunately I have 2 dogs to walk / jog and a gym nearby to let out some steam when I need to. I usually find it refreshes me and helps me concentrate again on my work.

Who is your favourite Australian children’s book illustrator and why?

There are many but here are the ones I entered in my phone whilst I was at Pinerolo recently: Tony Oliver, Pamela Lofts, Mark Jackson, Emma Quay, Sarah Davis, Nina Rycroft, Anna Pignataro, Craig Smith, Beth Norling and Rebecca Cool.

What’s your website or blog address (if you have one)?

Posted in meter, Picturebooks, rhyme, rhythm

Winners of the 2012 Prime Minister’s Literary Awards announced

How excited am I?

No I’m not a winner in the awards but the genre I write in is.

Hooray for Goodnight, Mice! 

Winner of the 2012 Prime Minister’s Literary Awards – children’s fiction category


Goodnight, Mice! is a gorgeous picture book written by Frances Watts,  illustrated by Judy Watson and published by HarperCollins.

A gorgeous picture book written in ……rhyme!


Kiss Dad once.

Cuddle Mum twice.

‘Goodnight, Mum and Dad.’

‘Goodnight, mice.’


Could it be, dare I hope that good old rhyme is back in fashion?

Looking around my office I can see books by Glenda Millard, Sally Odgers, Nick Bland, Doug McLeod and guess what – they all rhyme. Joy of joys!

The judges comments, also reiterate the importance of the rhyming story when they say…

Watts’s words sing with rhyme and repetition, making them excellent linguistic tools for small children…


Here’s some information about Goodnight, Mice! – It’s taken from the HarperCollins website.

Book Description

Kiss Dad once.

Cuddle Mum twice.

′Goodnight, Mum and Dad.′

′Goodnight, mice.′

It′s time to say goodnight — but the four cheeky mice skittering, scampering and scurrying to bed don′t seem very sleepy!

This warm, affectionate story is the perfect bedtime book for the whole family to share.

A CBCA Notable Book

Winner in the 2012 Prime Minister′s Literary Awards

Praise for GOODNIGHT, MICE!:

′the perfect bedtime book … told at a cleverly thought-out pace that should ensure a yawn before the final page … Illustrator Judy Watson′s detailed expressions on the four mouslings are fun, funny and rewarding upon further visits′ COURIER-MAIL

′an ideal bedtime read for parents keen on winding things down for the sleepy train. Squeak!′ KIDS-BOOKREVIEW.COM

′a story filled with warmth and family love … This is sure to become a book young children and parents will be happy to read again and again′ AUSSIEREVIEWS.COM

′utterly flawless use of rich and poetic language … a bedtime story to read aloud with gusto, to delight in and to savour. Very highly recommended′ SYDNEY′S CHILD

′this is a charming, funny and reassuring story for littlies to follow the going-to-bed ritual … Recommended′ MAGPIES

′Watts knows how to break up a story′s rhythm by using a refrain, making a story which will be read again and again. Watson′s mice are individuals and the many untold stories in the pictures will be pored over by avid three and four-year-old listeners.′ WEST AUSTRALIAN

Ages: 2+


So once again – a hearty congratulations from me and a great big cheer for the rambunctious, rollicking, rhyming, read.



Posted in Picturebooks, Writing

Catriona Hoy’s The Little Dinosaur

Welcome Catriona and congratulations on another beautiful book.


As a science teacher, did you set out to write a book specifically for schools?


No, like all good writing, you have to start with a story and one that you feel close to or inspires you. I began writing The Little Dinosaur as a result of an interview that I did with Lesley Kool from the Monash Science Centre. She told many fascinating tales of Australian dinosaurs and her work as a fossil preparator. This inspired me to find out more about them and to visit the Dinosaur Dreaming site down at Inverloch. I wanted to write a story that would weave all that together into a readable and enjoyable narrative. So The Little Dinosaur is essentially a story that all dinosaur lovers can get their teeth into.



Are you still hoping that schools will use your book?


I’m hoping everyone will read my book and enjoy it. I like the fact that it’s about Australian dinosaurs and Andrew’s illustrations are amazing. However if I put my reviewers hat on and my teacher’s hat on, I can certainly see the curriculum applications. Looking at the National Curriculum it fits into the Earth and Space sub-strand really well at Year 4, where the look at how the Earth’s surface changes over time. Although it’s a picture book, it can be used at a number of different levels. It’s not anthropomorphic and the illustrations are all scientifically correct and there are lots of interesting facts about Gondwana and polar dinosaurs in the end pages. It would also fit under the Biological Sciences sub-strand at a number of year levels. The requirements, environment, structural features and adaptations of dinosaurs could be compared with today’s animals. It also fits under the strand Science as a Human Endeavour. The second half of the book looks at how a dinosaur is reconstructed based on fossil evidence. There are many people involved in that process, both volunteer and professionals. It’s a book that I hope will be a jumping off point for people to find out more about Australian dinosaurs. If anyone has the chance to visit the Monash Science Centre they have some terrific exhibitions and an interactive play area. The Museum is also a great place to visit.


Do you prefer writing science based books?


I like writing about what intrigues me. I enjoy the research process for science books but I also like to write silly or light-hearted things as well. My next one is about a little girls playing hide and seek with her mother. I had a lot of fun with that one.


Do you feel you have to be an expert to write stories about science?


I think it’s important to do your research and have your facts checked. I did a number of interviews with various people as a starting point and then began my research process. The hardest part was developing the narrative as I had fairly lofty aims. I wanted to tell a story about fossil formation, plate tectonics, fossil discovery and preparation, Australian polar dinosaurs…It did all come together in the end. Of course there’s a little poetic licence here and there but not too much. I then sent the manuscript to Lesley to look at and she was kind enough to point out some errors I’d made. Of course once Andrew Plant, dinosaur drawer extraordinaire, agreed to illustrate, I had an in-built fact checker. I do like my stories to be accurate but I always say I’m a story teller with a science background.


Where do you find your inspiration?


I think it’s important to live life, enjoy it and stories will come to you. The Little Dinosaur was different in that it began as a non-fiction article I was writing for an educational magazine. Most ideas occur as something that I think is funny or interesting. It often takes a long time for a story to come, so it’s good to have a number of ideas gestating at the same time.


Thanks for having me here today Jackie. I’m just back from the SCBWI conference in Sydney where I had a fantastic time and have come back rejuvenated and fired up. It’s been nice talking to you but…it’s school holidays and the natives are restless, lol. Although my year nine daughter tells me I’m too old to use lol and I mustn’t do it anymore. ROFL.


Thank YOU Catriona and I’m so jealous about your SCBWI trip – I know from past experience that the Sydney SCBWI conference (held every two years) is one of the most inspiring conferences to attend and I would recommend that any aspiring children’s author or illustrator put it on their to do list immediately.









The Little Dinosaur
Catriona Hoy & Andrew Plant

In a time before Australia existed, a little dinosaur with big eyes roamed the Antarctic forests, nibbling on cycads and ginkgoes. One day the little dinosaur fell and hurt her leg. She struggled to keep up with her herd. Time passed and the world changed, but the discovery of the little dinosaur’s leg bone millions of years later, meant her life would not be forgotten.

The Little Dinosaur combines dramatic narrative with scientific fact to tell a fascinating, poignant story.

By the team that created the 2011 CBCA Notable Book, Puggle.

ISBN 978 1921504 29 7
250 x 240 mm
HB 32 pp $24.95
Full colour


Picture: Sam Stiglec

Catriona Hoy was born in Scotland and emigrated to Australia with her family at the age of seven. She began her career as a lab technician, but later switched to teaching. She combines writing for children with a job as a part-time secondary science teacher. Her books include The Music Tree, My Granddad Marches on Anzac Day and Daddies and Mummies Are Amazing. She and Andrew have collaborated before on the Working Title Press picture book Puggle, which was a 2011 CBCA Notable Book in the Eve Pownall section and shortlisted for the 2011 Wilderness Society’s Environment Award for Children’s Literature.






Andrew Plant trained as a zoologist at Melbourne University, and works as an author, scientific artist, and a children’s book illustrator specialising in natural history. He has illustrated more than 130 books in Australia, the USA, the UK, New Zealand and South Korea, and has written and illustrated a number of his own titles, including Could a Tyrannosaurus Play Table Tennis? and Finding Dinosaurs. He has also directed, choreographed and designed 60 children’s theatre productions, and created murals for schools and museums.



The Little Dinosaur Blog Tour Dates


Wednesday June 6, 2012

Robyn Opie Parnell

Wednesday June 13, 2012

Sheryl Gwyther

Wednesday June 20, 2012

Tania McCartney

Wednesday June 27, 2012

Sally Odgers

Wednesday July 4, 2012

Jackie Hosking

The Little Dinosaur Launch Dates:

Tasmania Saturday 14th July, 2012
Fullers Bookshop, Launceston